fbpx
Close

Striking and innovative: the Panton Chair by Verner Panton

A design icon that had to wait for production methods to catch up.

Sometimes, iconic products move from the designer’s imagination to manufacture in a matter of weeks. Others slowly move through several iterations and take years to reach production. The Panton Chair endured such a prolonged gestation.

Verner Panton began his career as an artist in Odense before studying architecture at the Royal Danish Academy of Art in Copenhagen, from where he graduated in 1951.

After two tempestuous years working at the architectural practice of Danish architect and furniture designer Arne Jacobsen, Panton set up his own design and architectural office, where he applied his unconventional approach both to innovative architectural proposals and to the creation of a chair without legs or a discernible back.

The initial sketches and design drawings for what would become the Panton Chair were made by Panton in the mid-1950s, and in 1960 he created his first model, which was formed using a plaster-cast.

It was not until Panton met Willi Fehlbaum from furniture manufacturer Vitra in the mid-1960s that a production version of the advanced chair became a possibility. The first models were formed from cold-pressed polyester strengthened with fibreglass; they were heavy and required a lot of labour-intensive finishing.

A change of material allowed the cost of the chair to come down, and in 1968 Vitra began serial production of the final version, which was available in seven different colours and sold by Herman Miller.

The production model, defined by its organic shapes, was the world’s first single-form injection-moulded plastic chair. Alternatively known as the Stacking Chair or S Chair and now officially known as the Panton Chair Classic, it became Panton’s most famous design.

In 1999 Vitra introduced a lower-cost version made of polypropylene, the Panton Chair, which is also suitable for outdoor use.

The Panton Chair has been widely exhibited around the world and currently forms part of the permanent collections of some of the world’s most famous design museums, including the Museum of Modern Art in New York, the Design Museum in London, the German Historical Museum in Berlin and the Danish Museum of Art & Design in Copenhagen.

The Latest

Cleft House

Designed by TAEP/AAP, this home in Abdullah Al-Salem, Kuwait emerges as a refined architectural response to its surroundings

Design on the Fast Track

Agata Kurzela Studio completes an F1 lounge that blends Emirati hospitality and contemporary design, set against the high-octane drama of Formula 1 in Abu Dhabi

MERISE

MERISE Launches its First Showroom in Dubai

MERISE unveils Its first flagship showroom at Index Tower DIFC with an exclusive launch event

In Tune with Nature

The Al Fanar School designed by Emkaan in Nad Al Sheba, Dubai subconsciously teaches lessons in adaptability

The Art of Curation

We interview Karine Obegi, CEO of OBEGI Home, about the brand’s early beginnings, its evolution into a regional design authority, and what lies ahead

Read ‘New Generations’ – Note from the editor – June 2025

Read identity magazine's June 2025 edition on ISSUU or grab your copy at the newsstands.

Atlas Concorde

Atlas Concorde Releases One Space and Tratto

The brand releases an ecosystem of surfaces, furniture, and design objects that includes an exclusive collection by Piero Lissoni.

Edginess in Shenzhen

This contemporary duplex with glowing accents brings a touch of Paris elegance to one of China’s booming cities

Technogym Artis

Technogym’s new Artis Luxury line blends style and design

High-performance wellness meets seamless integration of advanced technology, sustainability, and timeless style.

Things to Covet – May 2025

Here are the latest releases that we spotted at Milan Design Week

AMAN NAI LERT

A Contemporary Sanctuary Rooted in Thai Heritage

The newest Aman hotel in Bangkok offers culture, craft and timeless design