fbpx
Close

Celebrating 100 years of De Stijl

We are chronicling the people, places and objects that will stand the test of time.

Neoplasticism is an unfamiliar term to most, yet plenty will know its more common name: De Stijl (literally ‘The Style’). The hugely influential artistic movement began in 1917 in the Dutch city of Leiden and was unusual in its determination to embrace simplicity. 

De Stijl was characterised by its desire to express a new ideal of order and spiritual harmony, and by its advocacy of reduction to essential forms and colours: only vertical and horizontal elements were initially used, and only black, white and primary colours.  

The movement consisted of artists and architects, and its principles were therefore seen as being equally applicable to both disciplines, and beyond. Perhaps the most famous member and proponent of De Stijl was Piet Mondrian (1872-1944), the Dutch painter who created the renowned works that have inspired designers working on everything from Yves Saint Lauren clothing to hair product packaging. 

Mondrian’s most famous grid-based pieces were very simple in their composition, and rigid in their adherence to the movement’s principles. Later, however, Mondrian showed the versatility of De Stijl, using a greater variety of angles and colours – particularly in the works that were in progress or finished shortly before his death. 

Indeed, this evolution has expanded the influence of De Stijl, as ‘colour-blocking’ – a freer, more flexible interpretation of principles – continues to find popularity among designers of buildings, clothing, jewellery and furniture. 

 One of the original aims of De Stijl was to deliver impact that went far beyond only painted works. Its earliest members included architects J. J. P. Oud (1890–1963) and Gerrit Rietveld (1888-1964) – and it was the latter who created the Red and Blue Chair of 1917 that’s pictured here. 

Just one building was created completely in accordance with De Stijl principles – the Rietveld Schröder House – yet the movement influenced architecture greatly for many years afterwards, such as Oud’s Café De Unie in Rotterdam and the Eames House by Charles and Ray Eames. 

For final proof of De Stijl’s continuing and widespread influence, Moscow Metro’s Rumyantsevo and Salaryevo stations, which opened last year, feature design aesthetics inspired by the principles established a century ago. 

The Latest
12 hours ago

A comprehensive guide to Milan Design Week

Here's what you shouldn't miss during Milan Design Week, including Salone del Mobile.Milano, Fuorisalone and more.

April 1, 2025
Vela by Oikos

Changing the Rules of Entrance Architecture

Oikos Venezia launches Vela, a new sliding safety door for entrances.

April 1, 2025

Sculpting Meets Functionality

Architect Carlos Bermejo founded Guch Design to bring a sense of character to sink design

March 31, 2025

Read ‘Craft Meets Culture’ – Note from the editor – April 2025

This month, we celebrate the intersection of craft and culture, a theme that resonates throughout the issue.

March 28, 2025

Things to Covet- March 2025

Objects to add a unique sense of playfulness and personality to your space

March 27, 2025
TREDEX at ISH 2025

TREDEX Makes a Bold Debut at ISH 2025

A Defining Moment for Saudi Innovation

March 27, 2025

The Touch: Spaces Designed for the Senses

A journey through sensory-driven design

March 27, 2025
XYZ Design

Çamlıca House

Designed by Istanbul-based studio XYZ Design, this unique log house has been transformed into a full-time residence with soul

March 26, 2025
Melissa & Miller Philadelphia home

A Home Alive in Colour

Melissa & Miller infuse artful vibrance into a French Colonial home

March 26, 2025

Sculpting Sustainability

We take you inside a restaurant that hosts the world’s largest 3D-printed interiors

March 25, 2025

Salone del Mobile 2025

Here’s what to expect at the 63rd edition of the fair in Milan this year