Copyright © 2025 Motivate Media Group. All rights reserved.
Ana Mombiedro, Neuroarchitect in Residence at Kidzink discusses how the discipline can evoke creativity in young minds
Most of us can recall the schools we attended during our childhood. We can recall the teachers who inspired us – and those who didn’t. We vivid remember the friendships, the lessons and the experiences that shaped us. For many of us, the classrooms themselves stand out as uninspiring spaces: stark, functional and far from engaging. These environments reflected austerity rather than creativity – a missed opportunity in the learning journey.
In education, the focus has traditionally been on teachers and peers as the primary forces shaping learning experiences. Yet, there is another powerful, often overlooked participant: the space itself. As a neuroarchitect specialising in education design, I focus on addressing this gap by championing the concept of space as the third teacher. This approach, grounded in science and design, elevates the environment’s role, transforming classrooms into dynamic, interactive spaces that actively enhance students’ well-being, creativity and engagement. Far from being passive backdrops, environments are extensions of our bodies and minds. Neuroscience tells us that learning thrives on interaction, and brain plasticity shows how habits and routines rewire our brains. When spaces are designed to support these interactions, they evolve into catalysts for personal and collective transformation.
So how can spaces become third teachers? To create environments that teach, design should embody these principles:
Flexible seating arrangements, adaptable layouts and spaces that encourage movement foster a sense of ownership and promote self-directed learning. Environments that empower students by offering choices cultivate confidence and independence.
Classrooms designed for group projects, social interaction and teamwork prepare students for real-world scenarios. These spaces nurture essential skills such as communication and collaboration, laying the foundation for lifelong learning. Ito and Yokoyama’s research demonstrates how open-plan classrooms improve focus compared to traditional layouts. An open-plan classroom acts as a versatile canvas, adapting to the evolving needs of educators and learners.
Visually engaging, organised spaces spark curiosity and inspire creative thinking. Displaying materials in an inviting way fosters a culture of exploration and innovation.
Natural light, ergonomic furniture, good air quality and optimised acoustics reduce stress and improve focus. When these elements come together, they create a nurturing environment that supports students’ emotional, mental and physical health.
Research by Vartanian et al. highlights the calming effects of curved forms in interior design, while views of nature – whether greenery, water or open skies – enhance mental health and provide a sense of place. Roger Ulrich’s landmark ‘View from a Window’ study underscores the restorative power of natural elements in improving well-being.
As education evolves, the role of the environment as the third teacher is becoming increasingly evident. Thoughtfully designed spaces are no longer passive settings; they are active participants in the learning process. When classrooms are crafted with intention, they unlock boundless potential for students to engage, explore and grow. By placing equal emphasis on teaching method, people and place, we can reimagine learning environments as transformative tools – not just for education but for shaping the individuals within them, and the communities they form.
Read more features here.
Saya Studio has completed a music room that reflects contemporary eclecticism
Japanese aesthetics, fashion influences and nature meet in the Portland home of interior designer Jeanne Feldkamp
“Water, salt and olive oil. That’s what it takes to survive,” says designer Philippe Starck, who created the new La Almazara olive oil museum outside Ronda, Spain
The new Dyson Purifier Big+Quiet Formaldehyde BP03 is perfect for open-plan spaces
Ignacio Gomez, Global Design Principal at Aedas reflects on the firm’s two decades in the Middle East
Step into Ahmed A. Sultan’s contemporary retreat shaped by space, light, and emotion
Sharjah Architecture Triennial (SAT) announces Vyjayanthi Rao as curator of its third edition (SAT03), joined by Tau Tavengwa as associate curator.
Architecture meets art at this stunning villa on the Palm Jumeirah
Here’s a recap of the new and notable novelties and exhibits at Salone del Mobile.Milano and Fuorisalone
Here’s what to look out for at the Kingdom’s first fair for original and high-quality contemporary design, running from 20 to 23 May 2025
The dinner was the first of its kind in the Middle East that connected female industry professionals
Inside the Foster + Partners designed Kingdom of Saudi Arabia pavilion at Expo2025 Osaka