fbpx
Close

Myles Igwebuike’s furniture designs  are an homage to his Igbo heritage  

Igwebuke is in pursuit of showcasing the diversity of African design

Nteje Studios – founded by designer and artist Myles Igwebuike – is based in Enugu, Nigeria, where he and his team create furniture that celebrates the rich design language of the African continent, with a particular focus on Igwebuike Igbo heritage. “As a contemporary designer with Igbo heritage, hailing from a royal bloodline, my creative work at Nteje Studios is deeply influenced by the rich traditions and values associated with my ancestral lineage,” he explains. “Being part of a royal bloodline instils in me a profound sense of responsibility, honour and reverence for the cultural heritage that has been passed down through generations. Moreover, it fosters a deep appreciation for the role of art and design in society,” Igwebuike continues. “It reinforces the belief that creativity and aesthetics hold immense power to inspire, uplift and unite people. It compels me to use my design skills to make a positive impact, contributing to the cultural discourse and shaping a more inclusive and culturally diverse creative landscape.”

His Ozo chair – which was showcased at the International Contemporary Furniture Fair in New York City – is designed as an homage to the Igbo identity; its community and traditions. At the top of the chair is a crown-like arc which represents the ritual of receiving the chieftain title within the Igbo community: a fate that awaits Igwebuike himself, just like his father and grandfather before him. In fact, the word ‘ozo’ refers to this rank in the traditional hierarchical system of the Igbo people of Nigeria, who are then seen as custodians of traditions, and influential figures within the community. 

“The Ozo chair is a love letter and an embrace of my own fragility, of what I am about to face,” the designer confesses. “It is a crafted interpretation and [demonstrates] how I can personally resonate with this moment.” The chair is made from premium African mahogany, its curved form complemented by a black, circular stainless steel base: a modern contrast to the wooden seat. Igwebuike describes its grandiose simplicity as “restrained opulence”. Much like all Igwebuike’s works, the Ozo chair utilises locally sourced materials and is crafted by local artisans with whom the designer often collaborates, from painters and metal workers to carpenters. 

“In traditional Igbo design, the use of wood is significant due to the abundance of trees in the region,” Igwebuike says. “Wood is a readily available resource and was used extensively in the construction of buildings, furniture and other household items. It is also symbolic of the connection between the people and the natural world,” he continues, “and [of] the importance of sustainable practices in preserving the environment. The Igbo people have a long history of using natural resources in responsible and sustainable ways, and this is reflected in the use of wood in their traditional designs.” The Ndali chair is another piece that is crafted using African wood, and can be easily assembled and taken apart, making it adaptable for any living space. The backrest showcases traditional motifs inspired by the designer’s ancestral home in Umeri, Nigeria. 

For Igwebuike, design is about more than just creating visually appealing designs. “I view design as a means to make a positive impact on the world, particularly within the African community. Through my work, I aspire to inspire and empower the next generation of African designers and creatives, while showcasing the incredible talent and potential that exists within Africa,” he says. “I believe that by showcasing the beauty, depth and innovation inherent in our heritage, I can reshape perceptions, inspire unity, and foster a global appreciation for the artistic legacy of Africa.”  

The Latest
20 hours ago
Vela by Oikos

Changing the Rules of Entrance Architecture

Oikos Venezia launches Vela, a new sliding safety door for entrances.

20 hours ago

Sculpting Meets Functionality

Architect Carlos Bermejo founded Guch Design to bring a sense of character to sink design

March 31, 2025

Read ‘Craft Meets Culture’ – Note from the editor – April 2025

This month, we celebrate the intersection of craft and culture, a theme that resonates throughout the issue.

March 28, 2025

Things to Covet- March 2025

Objects to add a unique sense of playfulness and personality to your space

March 27, 2025
TREDEX at ISH 2025

TREDEX Makes a Bold Debut at ISH 2025

A Defining Moment for Saudi Innovation

March 27, 2025

The Touch: Spaces Designed for the Senses

A journey through sensory-driven design

March 27, 2025
XYZ Design

Çamlıca House

Designed by Istanbul-based studio XYZ Design, this unique log house has been transformed into a full-time residence with soul

March 26, 2025
Melissa & Miller Philadelphia home

A Home Alive in Colour

Melissa & Miller infuse artful vibrance into a French Colonial home

March 26, 2025

Sculpting Sustainability

We take you inside a restaurant that hosts the world’s largest 3D-printed interiors

March 25, 2025

Salone del Mobile 2025

Here’s what to expect at the 63rd edition of the fair in Milan this year

March 24, 2025
Dragonfly

Step into Dragonfly at the Lana Promenade, Dorchester Collection

A hybrid of traditional Asian elements merge with hyper - modern aesthetics at Dragonfly